)(/del) (Had a discussion about this on BMD Forum and there _is_ ripple trim in Resolve(!) see here: ). Still needs some tweaks and performance isn't quite the same as PPro, also missing some key shortcuts from PPro, (del)including the invaluable "Ripple Trim Next/Previous Edit to Playhead" (. I've actually been testing Resolve 12 for the last few projects from start to finish and I'm fairly impressed with the edit page now. This is my ramble from a previous Resolve post, thought I'd share it here too. Novemat 9:32PM, Edited November 20, 9:32PM It's hokey from top to bottom, and now the industry is saddled with this garbage as some kind of "standard." The poor programming acumen and lack of foresight on that team fit perfectly with other design blunders perpetrated by Apple over the years. and a perfect target for acquisition by Apple. No wonder that it originated at Macromedia, a purveyor of shitty software on the Mac. Its structure reveals a total ignorance of not only NLE design, but sensible data design. Yet Resolve makes it a giant pain in the ass.Īlso, FCP XML is an incompetent mess. This seems like it would be the most common, basic workflow. You should be able to open all those in Resolve, color-correct them, write them back out, and then reconnect your timeline events to the now-corrected clips in Premiere. all you really need to do is finish your edit in Premiere, and then use its media manager to copy all the source files to a folder. Version 12.1 is available now, and you can download it from the Blackmagic website. Support for embedding timecode in audio output.Support for stereo decision list (SDL) v0.25.User option to copy flags and markers when performing ColorTrace.Ability to freeze the current frame on an external matte.Ability to manually keyframe power windows in frame mode even without tracking.Ability to filter clips based on whether they have keyframes.Ability to delete multiple projects and folders in project manager.Support for moving files to the trash instead of deleting them permanently when using the media manager on both Mac and Windows systems.Ability to move clips and timelines from a smart bin view.Support for smart bin filtering based on clip type.Improved sorting in media storage and media pool.Auto scroll during timeline item resize.Improved rendering of audio transitions (cross-fades) and audio faders.Improved support for sub-clips from FCP7 XML.Ability to perform negative timecode offset in clip attributes.Ability to media manage selected clips on a timeline.Ability to extend freeze frames from the start of the edit.Support for faders on generators and titles.
Ability to select clips when in blade mode.Preferences option to enable 10-bit precision on viewers on OS X 10.11 El Capitan.Support for native display color profiles on OS X.Remote rendering on DaVinci Resolve Studio.Here's the full list of everything that's new in Resolve 12.1:
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